whatever one may call it ‘prayoga’ or experimental- the reasoning behind making the difference is beyond my understanding- something about western and eastern philosophy with lots of italicized sanskrit thrown in; the fact is that i did not like it much. the installations in the lobby of the ncpa were deified into holy objects by the low lighting and the silence that seemed to descend on the awestruck audience. ‘riyaaz’ depoliticized and gawked at the spectacle of a steel plant. all very gorgeous until it was intercut with more slow shots of a village and a historical monument. then it revealed its emptiness. ‘and i still don’t understand anything’ purported profundity regarding human relationships or at least regarding film itself and unfortunately for me it felt like commonplaces were being bandied around in very ordinary ways. we were being asked throughout to raise our own consciousness to such extraordinary levels that the ordinary was to become sublime. and if we did not get it. tough. the question answer session did not help ease my unease about the pretentiousness.
just before going to town for the show mukul and me sat and saw some experimental films from the 20’s by man ray. the difference between the former and the latter was remarkable.
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:)
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