Garden. Yuichi Yokoyama. 2011.
There is a crack in the wall of a forbidden garden in which a group of strange friends enter finding an even stranger landscape of reconstructed natural features out of the residue of industry- and all eventually turning out to be merely projected surfaces perpetually that being photographed and projected by giant surveillance machines.
Island City. Ruchika Oberoi. 2015.
The ghost in the machine is the unseen, ambiguous power in the ephemera of the neoliberal city.
Stree. V Shantaram. 1961.
Nature spills in beauty into the screen in a screen adaptation of Shakuntala with birds, flowers, trees, water, deer, lions. If only there was a better print available.
100 Bullets. Brian Azzarello and Eduaro Risso
Qurbani. Feroz Khan. 1981.
After that embarrassing servile opening that licks the feet of Indira after the death of Sanjay, the idea of style is wrecking a Mercedes, fancy bungalows, a foreign shoot, helicopter shots and Zeenat Aman in soft focus and star filters.
Yaadon Ki Baraat. Nasir Hussain. 1973.
