
this on the local public toilet on link road at kandivili protesting the metro yard that is going to 'squash' the locality under it.
as soon as you pin him down, he’s not there. fickle, sardonic, irreverent and honest. this is a mad warped maybe too-clever-for-its-own-good biopic of sorts that i loved. 6 actors play different versions of the man- each a different characteristic from a young black runaway kid, to cate blanchett’s spot on impression of the electric dylan to richard gere as the rebel in hiding billy the kid. heath ledger and christian bale play glam struck film star and moralistic poet- folk and gospel singer respectively. sick as i am of art that targets the usual suspects lined up (finger pointing art is what a dylan says at some point of the film- and he has only ten) i am glad that sometimes the finger is pointed at an earlier version of himself. i wish there were more like him- willingly rebelling against all expectations of what he is supposed to be or say. the rebel rebels when art is supposed to serve society by preaching messages to help improve society or when art exists only for its own sake. and while listening to the songs again i remembered again that are still beautiful brilliant incredible. i was on the verge of tears too often. maybe my dylan phase begins all over again.
i got in touch with him again. we were close once- ages ago- when we were both teenagers hanging around on the steps of karnataka bank watching the crowd go by; or the ‘i will sacrifice my love for our friendship’ that made me giggle like crazy when he fell madly in love with k; or that night when my father gave him coffee in the middle of the night before his mathematics 12 standard examination and found him writing the name of his love all across the notebook. it had been at least 12 years since i had heard from him last- and that was when after moving out of town he was supposed to have done a course in some australian university. he vanished after that. i remember reading his last email crouched over the computer in our apartment in greenbelt wondering who the japanese girlfriend was. i have tried to get in touch with him for a few years now. the remainder of his family here in mumbai has ostracized the other branch. and my phone calls to the number i had were unanswered. the other day i ran a search on google and found one entry- and that too in one strange website for networking of someone with the same name in
‘mamma mia!‘ the joy of pure fluff- that too fluff from your teenage years. not that i was ever an abba fan (or that i still am) but it would be churlish to deny the mindless effervescent fun of a ‘dancing queen’ (turned here into a feminist anthem of sorts) or a ‘take a chance on me’ - even though the lyrics are less than schoolboy poetry- broken feathers that need to be put together and other such nonsense. the silliness of the 80s is my kind of nostalgia – taking broken wings and learning to fly again- but when its meryl streep- by far one of the most beautiful women i have seen on screen- i am an abba fan.
in gore vidal’s ‘
and on tv ‘euro trip’. terribly patronizing american film about 4 teenagers in search for a good time in
the breach of a boundary in between two apartments in a dank decrepit apartment building in taiwan opens up the possibility of tenderness between strangers. there is absolutely no outside to this world of interiors where the rain pours in and novelty songs that mimic american 1950’s musicals are performed with glee. meanwhile over the television set- the only window to the world outside – dire warnings are announced about the end of the world as water runs out and a fever grips the population that turns them into roaches.
confetti - reality show on theme weddings turned into film. all romantic fluff feel good end and along the way some silliness about tennis themed, musical themes and naturalist weddings. if it wasn’t so cute it would be nasty. But all it was is annoying. agnes of god – jane fonda plays psychotherapist to nun accused of killing her child- the son of ‘god’. a thriller which ends with a whimper because of a copout ending. the same happens in ‘the calcutte chromosome’ amitav ghosh’s dan brown type thriller about sinister doings by a cult group surrounding some blundering colonial doctors working on malaria. In both, the book and the film, it turns out that the battle between faith and science is always won by faith. and it is scary.
the first shopping mall in borivili that had an atrium. Does that make it a mall? Shops sell second hand cell phones, gorgeously decadent prints on clothes that spill out into the atrium’s landscape and decorate the ceiling.
on thursday i bought a new phone with a new camera opposite at the nokia shop. these are the final pictures from the old one.