Aagantuk. The stranger. Satyajit Ray. 1991.
In his final film Ray gets the upper caste intellectual to out-intellectualise the Bengali bhadralok by becoming the medium through which the idealised purity of the barbaric primitive serves to redeem them from their suspicion and conservatism. At the end the Santhals wearing matching clothes and tribal-dancing in formation like they did on Doordarshan perform exclusively for the middle class family that watches along with us.
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